Faithful Readers Claude and Kimshum tip me off to this excellent post by John Rogers:
Those types of shows are essentially shows about emotions. People in conflict, or breaking down. End of day -- as Wells et al have nimbly shown -- you can drop a conflicted group of humans into any high-stakes setting and reap the entertainment crop of angst. Breaking Bad is about temptation and sin -- Walter didn't have to make Meth. But the drug world is a great, high-conflict/high-risk crucible for an amazing staff of writers to use to show what happens, how a man breaks bad. Joss Whedon's shows are about identity, responsibility, family and failure -- it doesn't matter what setting he's in, it's just that sci-fi allows one to create extreme circumstances so to best draw out extreme choices and extreme consequences.Interesting, huh? Also, this:
And then there are shows about systems. Specifically, systems in conflict, or breaking down. Law & Order is the platonic example, although most mainstream crime procedurals live somewhere in here. Disorder has come, sickness has come, corruption has come, and we crave the system to be set right. We are there for the riddle, the puzzle, the "click" of the solve. "Ahh, that's the solution." "Ah, clever."
All criticisms are products of unmet expectations.Go and learn...






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